Weinberg: Symphony No. 18 - Trumpet Concerto No. 1 - St. Petersburg Chamber Choir, St. Petersburg State Symphony Orchestra & Vladimir Lande

Weinberg: Symphony No. 18 - Trumpet Concerto No. 1

St. Petersburg Chamber Choir, St. Petersburg State Symphony Orchestra & Vladimir Lande

  • Genre: Classical
  • Release Date: 2014-05-06
  • Explicitness: notExplicit
  • Country: USA
  • Track Count: 8

  • ℗ 2014 Naxos

Tracks

Title Artist Time
1
Trumpet Concerto in B-Flat Maj Andrew Balio, St. Petersburg State Symphony Orchestra & Vladimir Lande 9:05
2
Trumpet Concerto in B-Flat Maj Andrew Balio, St. Petersburg State Symphony Orchestra & Vladimir Lande 10:38
3
Trumpet Concerto in B-Flat Maj St. Petersburg State Symphony Orchestra, Vladimir Lande & Andrew Balio 6:16
4
Symphony No. 18, Op. 138, "War St. Petersburg State Symphony Orchestra & Vladimir Lande 15:26
5
Symphony No. 18, Op. 138, "War Tatyana Perevyazkina, Ekaterina Shikunova, Vladimir Dobrovolsky, Zahar Shikunov, St. Petersburg Chamber Choir, St. Petersburg State Symphony Orchestra & Vladimir Lande 12:35
6
Symphony No. 18, Op. 138, "War Tatyana Perevyazkina, Ekaterina Shikunova, Vladimir Dobrovolsky, Zahar Shikunov, St. Petersburg Chamber Choir, St. Petersburg State Symphony Orchestra & Vladimir Lande 12:03
7
Symphony No. 18, Op. 138, "War Tatyana Perevyazkina, Ekaterina Shikunova, Vladimir Dobrovolsky, Zahar Shikunov, St. Petersburg Chamber Choir, St. Petersburg State Symphony Orchestra & Vladimir Lande 4:10

Reviews

  • Quietly moving

    5
    By DCD Records
    Mieczyslaw Weinberg's 18th symphony is the final part of a symphonic trilogy, "On the Threshold of War." Symphony No. 18, subtitled "War -- there is no word more cruel" isn't so much an anti-war statement as it is an honest portrayal of the emotional depletion felt by the survivors of conflit -- even if their victors. Overall, the work is quiet, expressing deeply-felt sorrow and loss; elagiac rather than maudlin. Mieczyslaw's symphony uses Russian poety quite effectively. "He was buried in the Earth," the text of the third movement is set as a simple chorale, very Russian in character -- appropriate for this poem about the death of a common footsoldier. The third movement adapts a Russian folksong that carries an undertone of disquiet before splintering into a calidescopic fugue. In the final movement, the chorus sings the poem "War -- there is no word more cruel," and the work ends with not a bang, nor whimper, but rather a calm acceptance of war's cost. The Trumpet Concerto provides welcome emotional balance to the album. To my ears, the work uses some of Prokofiev's "wrong-note" technique, with seemingly simple melodies and harmonies not going quite the direction one expects. Trumpet solist Andrew Balio plays with clear, full sound. Attacks are consistently clean, and the phrasing smooth and expressive. This concerto imbues the trumpet with a little bit of attitude, and Balio delivers.

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