Lift - Live at the Village Vanguard - Chris Potter

Lift - Live at the Village Vanguard

Chris Potter

  • Genre: Jazz
  • Release Date: 2004-05-25
  • Explicitness: notExplicit
  • Country: USA
  • Track Count: 7

  • ℗ 2004 Sunnyside

Tracks

Title Artist Time
1
7.5 Chris Potter 14:57
2
What You Wish Chris Potter 13:51
3
Stella By Starlight Chris Potter 7:16
4
Lift Chris Potter 11:58
5
Okinawa Chris Potter 9:15
6
Boogie Stop Shuffle Sax Intro Chris Potter 4:13
7
Boogie Stop Shuffle Chris Potter 15:09

Reviews

  • Wild 7.5!!!

    5
    By nuc vega
    Have you ever seen a folk toy called the LIMBER JACK MAN? Bill Stewart's drumming is incredible and the first tune reminds me of the Limber Jack man flailing his arms and legs around while bouncing almost uncontrollably on a wooden paddle. Between Bill and Kevin Hays' telephone blasts, 7.5 leaves the listener in a funky mental bliss. Very creative. Great album!
  • Lift-Live at the Village Vanguard

    5
    By jazzer101
    This is am amazing album. Potter's extreme musicality and chops come through beautifully through this recording. Anyone who enjoys great music should surely by this album.
  • truly exceptional and refreshing

    5
    By WHM.
    i honestly have to say that chris potter is perhaps one of the most innovative, technically sound and swingin jazz artists in the country today. Something in his playing comes off as truly original- not merely a regurgitation of the greats that have come before him such as coltrane or sonny rollins. Rather, his work is insipring and is no less insipring here at this live recorded date at one of new york's premier jazz clubs. IN these tunes, most of them works of his own (except for stella by starlight and one of Mingus's greatest works Boogie Stop Shuffle) he presents his virtuosity, his lyricism, his advanced harmonic knowledge, and his modern fresh take on one of the country's oldest types of music. Backed by an equally astounding rythm section, he burns on 7.5, gets very emotional on stella by starlight, presents an interesting version of Boogie stop Shuffle, where his solo intro makes your head spin with his virtuosity and interesting choice of rythmic patterns and licks. The highlight of the date in my opinion is Okinawa, where chris on his soprano seems to become so expressive and powerful after the piano solo that it shows that some things are better left unspoken, to be solely expressed through music.

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