The Threepenny Opera (Original Off Broadway Cast) - Jo Sullivan, Kurt Weill & Lotte Lenya

The Threepenny Opera (Original Off Broadway Cast)

Jo Sullivan, Kurt Weill & Lotte Lenya

  • Genre: Soundtrack
  • Release Date: 2007-01-01
  • Explicitness: notExplicit
  • Country: USA
  • Track Count: 22

  • ℗ 2007 JAY Productions Ltd

Tracks

Title Artist Time
1
Prologue William Duel 0:18
2
Overture Orchestra 1:54
3
The Ballad of Mack the Knife Gerald Price 3:19
4
Morning Anthem Martin Wolfson 0:48
5
Instead-Of-Song Charoltte Rae & Martin Wolfson 1:51
6
Wedding Song Bernard Bogin, John Astin, Joseph Beruh & Paul Dooley 1:06
7
Pirate Jenny Lotte Lenya 4:03
8
Army Song Bernard Bogin, George Tyne, John Astin, Joseph Beruh, Paul Dooley & Scott Merrill 2:15
9
Love Song Jo Sullivan & Scott Merrill 1:57
10
Ballad of Dependency Charlotte Rae 2:17
11
Melodrama / Polly's Song Jo Sullivan & Scott Merrill 2:31
12
Ballad of the Easy Life Scott Merrill 1:42
13
The World Is Mean Charlotte Rae, Jo Sullivan & Martin Wolfson 2:45
14
Barbara Song Beatrice Arthur 3:17
15
Tango Ballad Lotte Lenya & Scott Merrill 4:35
16
Jealousy Duet Beatrice Arthur & Jo Sullivan 2:21
17
How to Survive Charlotte Rae, Company & Scott Merrill 3:14
18
Useless Song Martin Wolfson 0:43
19
Solomon Song Lotte Lenya 2:36
20
Call from the Grave Scott Merrill 0:53
21
Death Message Scott Merrill 2:28
22
Finale: the Mounted Messanger Company & William Duel 6:02

Reviews

  • Kurt Weill's The Threepenny Opera

    4
    By daddy biscuit
    Despite its bowdlerized lyrics (by comparison to the 1970s Eric Bentley translation), this performance deserves a place in any Weill fan's collection. It was groundbreaking by the standards of the 1950s, for its inclusion of the great Lotte Lenya (Mrs. Kurt Weill) herself, and Gerald Price's rendition of "The Ballad of Mack the Knife" inspired Bobby Darin, Satchmo, and a host of others. The "Army Song" is all the more incisive for its appearing in the era of post-Korea and pre-Vietnam, and the cast features Beatrice Arthur and, surprisingly, John Astin, later of "The Addams Family." All in all, this production introduced Brecht & Weill's signature piece to American audiences, and has far more worth than a mere historical note. The cast is young, enthusiastic, and well worth a listen.