Griffes: The Pleasure Dome Of Kubla Khan - Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta

Griffes: The Pleasure Dome Of Kubla Khan

Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta

  • Genre: Classical
  • Release Date: 2004-04-16
  • Explicitness: notExplicit
  • Country: USA
  • Track Count: 11

  • ℗ 2004 Naxos

Tracks

Title Artist Time
1
The White Peacock Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta 5:44
2
Three Poems of Fiona McLeod: T Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta 4:01
3
Three Poems of Fiona McLeod: T Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta 2:50
4
Three Poems of Fiona McLeod: T Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta 3:56
5
Bacchanale Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta 4:05
6
Clouds Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta 4:14
7
Three Tone Pictures: The Lake Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta 3:33
8
Three Tone Pictures: The Vale Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta 3:02
9
Three Tone Pictures: The Night Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta 2:02
10
Poem For Flute And Orchestra Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta 10:05
11
The Pleasure Dome Of Kubla Kha Barbara Quintiliani, Buffalo Philharmonic Orchestra, Carol Wincenc & JoAnn Falletta 12:29

Reviews

  • American Impressionist

    5
    By Choral buff
    Charles T. Griffes, the only important American impressionist, is not only an important figure in American music history, but also his music is gorgeous on its own merit. Beautiful, sensual harmonies with creative, memorable melodies. This composer deserves to be better known and more widely performed. Only two of his pieces seem to make it into concert programming--White Peacock and Poem for Flute and Orchestra--and all of it needs to be heard. Creative music directors will be wise to include this composer, because it is worthy music that is seldom heard, and audiences will love it, a rare combination. Bravo to this orchestra and their conductor for recording it, and thanks from a delighted listener. Dr. William Bradley Roberts, Alexandria, Va.

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