Getting Killed - Geese

Getting Killed

Geese

  • Genre: Alternative
  • Release Date: 2025-09-26
  • Explicitness: explicit
  • Country: USA
  • Track Count: 11

  • ℗ 2025 Partisan Records / Play It Again Sam

Tracks

Title Artist Time
1
Trinidad Geese 3:44
2
Cobra Geese 3:05
3
Husbands Geese 4:08
4
Getting Killed Geese 4:44
5
Islands of Men Geese 5:54
6
100 Horses Geese 3:46
7
Half Real Geese 3:22
8
Au Pays du Cocaine Geese 3:30
9
Bow Down Geese 3:28
10
Taxes Geese 3:17
11
Long Island City Here I Come Geese 6:37

Reviews

  • Rants inspired by a brutal age

    3
    By Ardagh
    There are noticeable elements of prior legends, Bow Down sounds like it was produced by Bono, and reasonably good musicianship throughout the album. But the thing I like best about Getting Killed is that it was made by humans who are trying, and maybe succeeding, to connect with a disappointed generation who are constantly subjected to conflicting points of view, decisiveness, and ultimately, disappointment. There’s zero in its tone that’s uplifting about this album, but it is a good reflection of our times.
  • Geese

    5
    By Don't starve:)
    Very good follow up to their last LP 😄
  • Proof talent is dead!

    1
    By iron maiden3
    Anyone with out talent & a little money to buy recording equipment for a computer can get their noise put out! We need a return of real recording artists!
  • Dumb

    1
    By It's on '25
    🤥🤥🤥👎🏻
  • The Best Group Out Right Now

    5
    By Nd1117
    There is genuinely NO ONE doing it like Geese is right now. Geese’s Getting Killed is a rare album that grabs you by the collar and won’t let go. Cameron Winter pours himself into every word, his voice cutting sharp and true, carrying both swagger and vulnerability. It’s the kind of performance that makes you feel like he’s singing directly to you, demanding your attention and rewarding it a hundred-fold. The band behind him is just as fearless—tight, inventive, and completely locked in. Together, they’ve built a sound that feels urgent and new, shattering the monotony that plagues so much of the genre. Getting Killed isn’t background music; it’s a full-body experience, a reminder of how powerful a record can be when a band swings for the fences and connects. You don’t just listen to this album—you live inside it.

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