| 1 |
|
there is singularly nothing |
Eighth Blackbird |
8:05 |
| 2 |
|
those who are creating |
Eighth Blackbird |
4:16 |
| 3 |
|
of course it is beautiful |
Eighth Blackbird |
4:34 |
| 4 |
|
beginning again and again |
Eighth Blackbird |
4:19 |
| 5 |
|
it is understood by this time |
Eighth Blackbird & Gertrude Stein |
3:49 |
| 6 |
|
and now to begin as if to begi |
Eighth Blackbird |
5:43 |
| 7 |
|
and after that what changes |
Eighth Blackbird |
4:14 |
| 8 |
|
intertext |
Eighth Blackbird |
4:51 |
| 9 |
|
the problem from this time on |
Eighth Blackbird |
9:12 |
| 10 |
|
this then |
Eighth Blackbird |
3:08 |
| 11 |
|
the time in the composition |
Eighth Blackbird |
7:19 |
