| 1 |
|
For Petra (Vocal Version) |
Hildur Guðnadóttir |
1:11 |
| 2 |
|
Mortar |
Hildur Guðnadóttir & London Contemporary Orchestra |
3:36 |
| 3 |
|
Introductory Words by Hildur G |
Hildur Guðnadóttir |
0:19 |
| 4 |
|
For Petra (Recording Session) |
London Contemporary Orchestra & Robert Ames |
8:18 |
| 5 |
|
Hildur's Impressions |
Hildur Guðnadóttir |
0:14 |
| 6 |
|
Tár: I. Largo |
London Contemporary Orchestra |
5:44 |
| 7 |
|
Tár: II. Allegro |
London Contemporary Orchestra |
4:14 |
| 8 |
|
Tár: III. Moderato |
London Contemporary Orchestra |
4:56 |
| 9 |
|
Symphony No. 5 in C-Sharp Mino |
Cate Blanchett, Jan Wolf & Dresdner Philharmonie |
3:19 |
| 10 |
|
Symphony No. 5 in C-Sharp Mino |
Cate Blanchett & Dresdner Philharmonie |
4:24 |
| 11 |
|
Introductory Words (Recording |
Rachel Smith, Natalie Murray Beale & Sophie Kauer |
0:21 |
| 12 |
|
Cello Concerto in E Minor, Op. |
Sophie Kauer, London Symphony Orchestra & Natalie Murray Beale |
1:32 |
| 13 |
|
Control Room Talk (Recording S |
Rachel Smith, Natalie Murray Beale, Sophie Kauer & Todd Field |
1:19 |
| 14 |
|
Cello Concerto in E Minor, Op. |
Sophie Kauer, London Symphony Orchestra & Natalie Murray Beale |
12:08 |
| 15 |
|
Applause (Recording Session) |
Rachel Smith & Natalie Murray Beale |
0:20 |
| 16 |
|
Cello Concerto in E Minor, Op. |
Sophie Kauer, London Symphony Orchestra & Natalie Murray Beale |
3:44 |
| 17 |
|
Here's That Rainy Day |
Al Kay & New Trombone Collective |
2:41 |
| 18 |
|
The Well-Tempered Clavier, Boo |
Cate Blanchett & Zethphan Smith-Gneist |
1:27 |
| 19 |
|
Lydia Tár Field Recording |
Cate Blanchett & Elisa Vargas Fernandez |
0:30 |
| 20 |
|
Cura Mente |
Elisa Vargas Fernandez |
3:14 |